Aria: Mab, la reine des mensonges

Composer: Gounod Charles

Opera: Roméo et Juliette

Role: Mercutio (Baritone)

Download free scores: "Mab, la reine des mensonges" PDF
N° 2 - Ballade de la Reine Mab

Mab, la reine des mensonges,
Préside aux songes.
Plus légère que le vent
À travers l'espace,
À travers la nuit,
Elle passe,
Elle fuit!
Son char, que l'atôme rapide
Entraîne dans l'éther limpide,
Fut fait d'une noisette vide
Parver de terre, le charon!
Les harnais, subtile dentelle,
Ont été découpés dans l'aile
De quelque verte sauterelle
Par son cocher, le moucheron!
Un os de grillon sert de manche
À son fouet, dont la mèche blanche
Est prise au rayon qui s'épanche
De Phbé rassemblant sa cour.
Chaque nuit, dans cet équipage,
Mab visite, sur son passage,
L'époux qui rêve de veuvage
Et l'amant qui rêve d'amour!
À son approche, la coquette
Rêve d'atours et de toilette,
Le courtisan fait la courbette,
Le poète rime ses vers!
À l'avare en son gîte sombre,
Elle ouvre des trésors sans nombre,
Et la liberté rit dans l'ombre
Au prisonnier chargé de fers.
Le soldat rêve d'embuscades,
De batailles et d'estocades,
Elle lui verse les rasades
Dont ses lauriers sont arrosés.
Et toi, qu'un soupir effarouche,
Quand tu reposes sur ta couche,
Ô vierge! elle effleure ta bouche
Et te fait rêver de baisers!
Mab, la reine des mensonges, etc.
Hé quoi? parce que Mercure. Jupiter. Philémon et Baucis. GounodAvant de quitter ces lieux. Valentin. Faust. GounodVive la médecine. Sganarelle. Le médecin malgré lui. GounodQuoi! c'est peu de perdre Pauline. Sévère. Polyeucte. GounodAu bruit des lourds marteaux d'airain. Vulcain. Philémon et Baucis. GounodQue les songes heureux. Jupiter. Philémon et Baucis. GounodO Xaïma! daigue m'entendre!. Ben-Said. Le tribut de Zamora. GounodÉcoute-moi bien, Marguerite. Valentin. Faust. GounodOn ne verra plus dans Paris tant de plumes ni de moustaches. Fontrailles. Cinq-Mars. GounodQuel accent! quel regard. Ben-Saïd. Le tribut de Zamora. Gounod
Roméo et Juliette (Romeo and Juliet) is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris on 27 April 1867. This opera is notable for the series of four duets for the main characters and the waltz song "Je veux vivre" for the soprano.
Gounod's opera Faust had become popular at the Théâtre Lyrique since its premiere in 1859 (it was performed over 300 times between 1859 and 1868) and this led to a further commission from the director Carvalho. Behind the scenes there were difficulties in casting the lead tenor, and Gounod was said to have composed the last act twice, but after the public general rehearsal and first night it was hailed as a major success for the composer. Its success was aided by the presence of dignitaries in Paris for the Exhibition, several of whom attended performances. A parody soon appeared at the Théâtre Déjazet, entitled Rhum et eau en juillet (Rum and Water in July).
The opera entered the repertoire of the Opéra-Comique on 20 January 1873 (with Deloffre and Carvalho returning to their roles from the premiere), where it received 391 performances in 14 years. On 28 November 1888 Roméo et Juliette transferred to the Paris Opéra, with Adelina Patti and Jean de Reszke in the leading roles. The opera was first seen in London (with Patti and Mario) on 11 July 1867 and in New York (with Minnie Hauk) at the Academy of Music on 15 November of that year.
In 1912, the opera was recorded complete for the first time with Agustarello Affre as Roméo, Yvonne Gall as Juliette, Henri Albers as Capulet and Marcel Journet as Laurent.
The opera is frequently staged by the world's opera houses.
Sutherland Edwards, music critic of the St. James's Gazette, wrote the following about the opera following its first London performance in 1867:
Gounod's Roméo et Juliette, in which the composer is always pleasing, though seldom impressive, might be described as the powerful drama of Romeo and Juliet reduced to the proportions of an eclogue for Juliet and Romeo. One remembers the work as a series of very pretty duets, varied by a sparkling waltz air for Juliet, in which Madame Patti displays that tragic genius, which belongs to her equally, with the highest capacity for comedy. [Vaccai's] Romeo e Giulietta is an admirable opera for Giulietta; in which Romeo is not forgotten.
The libretto follows the story of Shakespeare's play.
Overture prologue:
A short chorus sets the scene of the rival families in Verona.
A masked ball in the Capulets’ palace
Tybalt talks to Pâris about Juliette, who appears with her father. Roméo, Mercutio, Benvolio and their friends enter, disguised, and Mercutio sings a ballad about Queen Mab, after which Juliette sings a joyful waltz song. The first meeting between Roméo and Juliette takes place, and they fall in love. But Tybalt re-appears and suspects that the hastily re-masked Roméo is his rival. While Tybalt wants immediate revenge, Capulet orders that the ball continue.
The Capulets' garden
After Roméo's page Stephano has helped his master gain access, he reveals the two young lovers exchanging their vows of love.
Scene 1: Laurent's cell
Roméo and Juliette, accompanied by Gertrude, go to the cell, and the wedding takes place. Laurent hopes that reconciliation between the houses of the Montagus and the Capulets may thus take place.
Scene 2: a street near Capulet's palace
Stephano sings to attract the occupants into the street. Gregoire and Stephano skirmish as men from each family appear. The duel is first between Tybalt and Mercutio, who falls dead, and then between Roméo, determined to avenge his comrade, and Tybalt. Tybalt is killed by Roméo, who is banished by the Duke.
Juliet's room at dawn
Roméo and Juliette are together and, after a long duet, Roméo departs for exile. Juliette's father comes to remind her of Tybalt's dying wish for Juliette to marry Count Pâris. The friar gives Juliette a draught which will cause her to sleep, so as to appear as if dead and, after being laid in the family tomb, it is planned that Roméo will awaken her and take her away. [A ballet scene in the grand hall of the palace was inserted at this point.]
Juliet's tomb
Roméo breaks into the tomb after having taken poison because he believes that Juliette is dead. When she awakes from the friar's potion, the lovers' last duet is heard before the poison takes effect on Roméo. As her bridegroom weakens Juliette stabs herself, to be united with her lover in death.